|
The Golia family had founded
this church in the 16th century is confirmed by two historical document that
date from 1606, in which it was stated that Ioan Golia’s wife and son had
offered the holy establishment to the Vatoped Monastery of Mount Athos (Ioan
Golia was a high-ranking official at the princely court of Iasi at the time).
In his chronicle of 1675, the Moldavian chronicler Miron Costin mentioned that this monastic
establishment had been reconstructed during the reign of Vasile Lupu Voivode by
the voivode himself, specifying that “it is called Golia, by the name of a
boyar (…), who had a stone church constructed on this very location”. These are
the pieces of information regarding the history of the church of the Golia
Monastery in the period that preceded its reconstruction during the reign of
Vasile Lupu Voivode (by the voivod himself). Commenced under Vasile Lupu
Voivode in 1650, the construction of the church was completed by his son,
Stefanita Voivode, in 1660, and painted by “Matei, Ion’s son”.
Although some of the walls of the old building have been preserved, the votive inscription has not been
preserved. In fact, the monastic establishment was almost ready in 1635 (when
work had already been completed on the marble floor and on the furniture as
well), so that it was Paul of Alep who first described it, praising the zeal of
Vasile Lupu Voivode to build church sculpted in stone with remarkable
craftsmanship. In 1672, Carol Magni, another prominent visitor, observed that
“its (architectural) styles are eclectic” and that several Italian
master-builders from Rome had been part of the team that had contributed to
the construction of the church as well. In 1675, Miron Costin also remarked
that Golia Monastery “is definitely, as one can easily see, way above all the
other churches in the century, standing out from the rest”.
In 1711 the holy establishment was also visited by Tzar Peter I who, according to the Moldavian
chronicler Ion Neculce, remarked that it was the most beautiful religious
establishment in the city of Iasi and that “it had been constructed following
three different architectural styles: Polish, Greek and Russian”. In 1687, Jan Sobieski, King
of Poland and commander-in-chief of the Polish army, set fire to the church of
the monastery. Fortunately, immediately after that, the church was restored –
as in attested by the fact that the marriage of Gheorghe Duca Voivode to Maria
Brancoveanu was celebrated inside it in 1693, as well as by the fact that the
marriage of Antioh Cantemir Voivode to Dumitrascu Ceaurul’s daughter was
celebrated in here, too, in 1696. Another fire destroyed the
church of the monastery during the reign of Constantin Mavrocordat Voivode,
whereas under Grigore Ghica II Voivode it was downright devastated by a
terrible earthquake. The restoration works
considerably modified the architectural design of the establishment that had
been founded by Vasile Lupu Voivode. It seems that the paintings inside the
church were reconditioned in 1838. Another round of restoration activities
involving the church, the towers, and the surrounding walls commenced in 1943
and was completed in 1947. The renovation works focused mostly on the
consolidation of the dilapidated walls. Out of the former monastic
objects that were deposited in the treasure-house of the establishment, we can
still find a precious veil that bears the visage of our Lord. Now, liturgical
vases of great value are being covered with this holy veil. Among the order
priceless objects that have survived out of the ancient treasure-house, we can
enumerate several sets of sacerdotal and hierarchical vestments, gospel-books
that are overlaid with gilded silver, as well as other old liturgical items,
including an old chalice that had been donated by Vasile Lupu Voivode. Also, a printing press, a
publishing house, and the “Trinities Broadcast” of the Diocese of Iasi have
also been accommodated within the monastery. At the time that the
renowned Moldavian storyteller Ion Creanga was a deacon, he lived in one of the
outbuildings within the monastery ground. |